Post Production & Editing Jobs

Seach Post Production & Editing Jobs in Film & TV Australia

Browse Editing and Post Production jobs in Australia. Post production jobs include editor, compositor, colourist and post-producer.

Film and Television Post Production Coordinator

The Post Lounge Redfern, Sydney

22nd April 2024

22nd April 2024

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Film and Television Post Production CoordinatorThe Post Lounge

Redfern, Sydney

22nd April 2024


Do you know how to schedule things to the minute, understand the post production process, impress someone whilst also making them feel like they’re at home, and have a love of the film and television industry? Great! - then read on.

We have a highly-coveted role available in our post studio in Redfern, Sydney. The one we turn to, our Post Production Coordinator is the keeper of all knowledge for the day-to-day functioning of the facility and our projects.

The Post Coord will liaise confidently with our artists, editors, producers, clients and guests, and will directly contribute to the delivery of high quality video and audio materials across all of our film and television productions. They play an integral role in the studio, ensuring that all of our projects get to the big and small screens.

As part of The Post Lounge - a national organisation with an international footprint - you will work with brands like Disney, Netflix, Amazon, Foxtel, Binge, Stan, ABC TV, SBS and Warner Bros. Operating from our studios in Brisbane, Sydney and Melbourne, at TPL you will have the opportunity to work on exciting, high profile projects, in a creative environment and be part of a small but high-performing team within a top independent company.

The Post Coord role is well-suited to someone with 2-4 years professional experience in a post or production environment, whether a post house, digital creative agency, TV station or production company. This role would be ideal for someone who wants to expand their existing film & TV skill-set and make a lasting career in an area such as a producer, or post production manager.

Your key attributes will include: knowledge of post production workflows, meticulous attention to detail, exceptional client service, the ability to respond effectively, be technologically savvy, have excellent written and verbal communication skills, a strong work ethic, the ability to receive feedback responsibly and action changes maturely, and of course a passion for visual images and storytelling.

You will be the primary connection between our Post Producers, our clients, and creative and operational crew, ensuring the smooth running of projects and the facilities, both within and external to the studio. You will see something that needs doing, and do it. As a representative of The Post Lounge you will be key in checking and delivering completed and work-in-progress content to our clients, as well as distributing materials to and from other stakeholders and suppliers. You will provide Client Service support - some hospitality or barista skills are helpful, but not essential - plus perform general office and administrative duties such as creating detailed spreadsheets, and will support the overall team. Familiarity with Google Suite, Microsoft Office, online video hosting platforms and file sharing is required. Use of editing/ transcoding/ video compression software such as Adobe Creative Cloud, Resolve or similar, is a bonus but not essential.

Salary range is $54,600 - $61,880 commensurate with experience. Applicants must be a minimum of 18 years of age. This position is full time (40 hours per week) and is based in our studio - as such it is not available as work from home.

Key Requirements:
* Minimum 2 years professional experience in a post production, production or agency environment
* Passion for all aspects of post production
* Good administrative skills
* Meticulous attention to detail
* Live locally within Sydney
* Current Australian driver's licence

To learn more about The Post Lounge, visit our website www.thepostlounge.com or Instagram: @thepostlounge

To Apply:
With an email subject of POST COORDINATOR - SYD, please send a PDF copy of your CV and a cover letter in the body of the email to jobs[at]thepostlounge.com - tell us who you are, why you would be perfect for this role and how soon you could start. Also, tell us about what element of the job we’ve listed above would be most appealing to you and why, and what areas you may need to learn.
Due to the high volume of applicants, we may only be able to reply to the shortlisted candidates.

Assistant Editor - Full Time 3 Month Contract

Moonshine Agency Richmond, Melbourne

17th April 2024

17th April 2024

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Assistant Editor - Full Time 3 Month ContractMoonshine Agency

Richmond, Melbourne

17th April 2024


Assistant Editor - Full Time 3 Month Contract

Moonshine Agency is looking for an assistant editor/junior editor with documentary experience.

You’ll be working from our office in Richmond to create content in short and long formats.

If you live to make a difference, embrace challenges as growth opportunities and love using film as a tool for making change… this may be the opportunity for you.

About Us

Moonshine Agency is an impact film production house that creates content with a purpose. When this is coupled with strategic planning and strong calls-to-action you get real world outcomes. It might be achieved through a one minute video or a feature film. Visual communications is at the heart of what we do and we’re always exploring new ways to reach our audiences.

Since 2010, our work has been viewed by millions across the world on TV and online.  Our team travels the country and the world to capture stories that inspire their audiences to take action. 

In a nutshell you will:

Be part of a supportive high performance team.
Be part of projects that have real world outcomes.
Have opportunities for ongoing learning and skill development.

We have a warm, spacious and modern office environment. This role is based onsite out of our office at 237 Swan Street, Richmond, VIC. We are not a work from home team.

At the end of the day, we work hard, have fun and always strive to deliver excellent results. You can learn about our company values here. https://moonshine.agency/moonshine-agency-values/

Job Requirements

Working on long-form documentaries in an assisting capacity with our senior editor. This includes project set up, compilation editing, and sequence assembly.

Creation of short-form video content which is on-brand and engaging, for multiple-purposes including on websites and social media.

Using Creative Cloud, you have the ability to bring a creative flair to projects with design, text, graphics, and music.

You have a working knowledge of video on social media and create content for these platforms that will immediately engage audiences.

An ongoing commitment to self-improvement and learning on-the-job is a must.

You will need to have the ability to edit quickly and handle multiple tasks concurrently.

You will enjoy following briefs and receiving direction from your teammates.

Planning your jobs, meeting deadlines, adhering to time allocations and working productively are essential qualities.

You can work autonomously and also be a great team player.

You look forward to collaborating closely with Moonshine Agency’s full time videographers and editors and following their lead in terms of our house style and workflow processes.

Be able to think creatively to troubleshoot technical issues as they arise.

Videography and sound recording experience preferred but not essential.


Key Responsibilities

End-to-end editing and delivery including:
Setting-up projects to house standards.
Media management.
Audio syncing multiple cameras.
Picture editing.
Color grading.
Motion graphics using supplied assets.
Attention-to-detail and spell-checking.
Sound mixing.
Export delivery via VimeoPro.
Daily backups, time-sheets and peer-reviews.

Our post production system:
Mac Studio (M2) with 5K monitor
Creative Cloud
Headphones
External SSDs

Apply Now

If this sounds like the kind of team you want to be a part of, then please apply by emailing [email protected] and let us know why we should move your application to the top of the pile. Please include a cover letter, your resume with references and a short showreel.

Job Details

Suitable for junior-mid level documentary editors.
$60,000 - $70,000 per annum pro rata salary based on experience.

Note:  
All applications without a showreel, cover letter, resume including direct contact details of referees will not be considered.  

Due to a high volume of applicants, only those successful in making the shortlist will be contacted.

NO AGENCIES - THANK YOU

Contact: [email protected] or call 03 9410 4345

W

Senior Technical Expert - Post Production

With Recruitment Sydney

10th April 2024

10th April 2024

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W

Senior Technical Expert - Post ProductionWith Recruitment

Sydney

10th April 2024


Senior Technical Expert - Post Production Department
Sydney based - Hybrid


A leading CG and animation studio who are a full-service production company specialising in live action commercials and content for top-tier clients. Their work combines creativity with cutting-edge technology, setting new standards in realism and innovation. With a strong focus on creative and technology solutions, delivering seamless interactive experience in cross platform, VR, Mobile and Large Format.


In this role you will not only maintain the existing Maya artist tool set and vehicle rigs, but also develop and create new ones for the team. You will enjoy supporting and mentoring our artists with technical and tool related production issues. With your solid technical experience you will assist the Head of Production in optimizing artist workflows and ensure we are maximizing our use of the renderfarm whilst also being happy to get your hands dirty with some vehicle rigging work thrown in for good measure!


Responsibilities:

Advise Head of Post Production on:
○ Tool development specifications, timelines, and costs.

○ Best Practice workflows to optimize production.



Develop and maintain..

○ Maya artist tools

○ Nuke artist tools

○ RV artist tool

○ Various Internal pipeline tools

○ Vehicle rigs (maya)



Support Post Production Artists (advising on potential solutions for issues)
Mentor junior TD


Outcomes

Project challenges and potential solutions are communicated to the Head of Post Production in a timely manner.
Solutions to project challenges protect Production schedules.
Tools and workflows are adjusted appropriately to changing business requirements.


Required Skills:

At least 5+ years of industry related experience
Experience with Maya and content creation
Impeccable attention to detail
Strong communication skills +
Great problem solving skills (Maya/Python)
Ability to grasp the bigger picture and prioritize accordingly
Mid to senior level Python
Good understanding of
○ Git or similar

○ Maya APIs (cmds, pymel)

○ Rigging(vehicle rigging mostly)



Nice to have / not crucial

Experience with…

○ Octane renderer;

○ Cloth/Fur/Hair

○ Nuke scripting

○ RV scripting

○ OpenMaya API

○ Deadline Farm Manage


This is a full-time position, based in Sydney.
If the above sounds like you, hit 'apply' now or send your CV and showreel to [email protected]
*please note only those based in australia with valid working rights need to apply

Avid Producer/Editors, Offline Editors, Snr / Finishing /Editors

Prospero Productions North Fremantle, Perth

8th April 2024

8th April 2024

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Avid Producer/Editors, Offline Editors, Snr / Finishing /EditorsProspero Productions

North Fremantle, Perth

8th April 2024


Prospero Productions is seeking highly experienced, AVID Producer/Editors, offline editors and Senior/Finishing editors, with proven Broadcast experience, to work on a well-established 20 x1hr Ob Doc series, a returning 8 x 1 hour Ob doc series and a brand new 6 x 1 hour Ob Doc series.

You must have proven experience (3+ years offline, 3+ years producing/editing, 3+ years Finishing) in the same role in Ob Doc and Pay TV broadcast format genres.

You must be collaborative, working closely with the Series Producer and be able to work as part of a larger team.

You must have a fine eye for detail and adhere to post production schedules.

Role based in Fremantle, Western Australia, local preferred but remote (within Australia) may be considered.

Multiple jobs required from June 2024 and August/September 2024

Please email your CV to Freya Brueschke, Head of Post Production with relevant job title in subject line to [email protected]

Post Producer

ARC Edit Alexandria, Sydney

15th January 2024

15th January 2024

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Post ProducerARC Edit

Alexandria, Sydney

15th January 2024


ARC EDIT is looking for a Sydney-based Post Producer to join the team on a 12 month parental leave cover contract.

As Australia’s leading boutique post-production company, ARC EDIT represents a highly sought-after roster of TV, film & commercial editors, as well as colour grade, online and VFX offerings.

As a producer in the Sydney office, you will be responsible for;

> quoting, scheduling and managing commercial post coming through ARC Sydney, including offline edit, colour grade & online/vfx
> budgeting, invoicing & reconciling projects
> collaborating with our production team in Melbourne to ensure consistency and seamless communication across locations
> mentoring new and existing junior staff
> overseeing the day-to-day running of the office and its staff to ensure a faultless client experience
> travelling to ARC Melbourne as required
> initiating and coordinating company events that foster learning, personal development, group engagement, socialisation and industry knowledge
> participating in industry events as required.


The ideal candidate will have;

> 5+ years experience at a post-production facility or production company/advertising agency engaged in post.
> a commitment to a career in post-production
> a thorough and detailed knowledge of post-production workflows
> a knowledge of visual effects and animation highly regarded
> a comprehensive network of production and agency contacts
high-level working knowledge of Microsoft Office suite and scheduling/budgeting program Farmers WIFE ideal.
> the ability to work calmly and constructively under pressure ~ the ability to manage multiple concurrent jobs ~ excellent communication skills & ability to speak confidently to artists, directors, clients and staff at all levels
> excellent attention to detail
> a proactive, organised, diligent & methodical sensibility

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Post-Production & Editing Department

What is the post-production & editing department?

Post Production & Editing
Post Production & Editing Jobs, Australia

The job of the post-production and editing department is amongst the most important in the film and TV industry. This team is tasked with turning reels of film (or more likely terabytes of data) into something that people will be excited to watch.

After the raw material has been captured during the filming process, the post-production and editing team gets to work. A team of editors, colourists, sound designers, subtitlers and more must organise the chaos, forming it into a coherent and compelling story. The end result is a polished and packaged TV episode or film, sent onward for sale and distribution.

Post-production & editing roles

Post-production supervisor

The role of a post-production supervisor is to manage the post-production process on behalf of the producer. The aim is to help the producer achieve as much as possible in the editing room given the budget at hand. The post-production supervisor will hire members of the post-production team and manage a strict budget. Their role can span the entirety of the film-making process, starting as an advisor to the producer, and ending when the film is delivered.

Bookings coordinator

Also known as: Scheduler

The bookings coordinator is tasked with managing much the minutiae of the post-production process. They will know both the process and the post-production company inside out, and use that knowledge to manage personnel, equipment and administration of the post-production period of the project. They assist with the coordination of all post-production work, and the scheduling of the personnel, both creative and technical, that will be responsible for completing it. Managing resources, providing administrative support and scheduling bookings are the main day-to-day tasks.

Post-production runner

Also known as: Edit trainee

An entry-level role, the post-production runner can be thought of as the oil that keeps the cogs of the post-production machine moving. The role is comprised of a number of tasks, including answering phones, tidying offices, fetching food and drinks, organising files, welcoming visitors and doing light administration. The post-production runner isn’t restricted to a single department, making it the perfect place for a newcomer to gain a holistic view of the post-production process.

Editor

An editor’s job is to put the jigsaw puzzle together. The role begins in pre-production, where the editor works with the producer to decide how to make the most of the script. Once filming starts they will roughly edit each day’s footage into a series of scenes - films tend to be shot out of order, so the editor must have a good understanding of the story from the beginning. In the post-production phase the editor will work with the director to refine the rough edits into a polished final cut, and will then oversee the addition of music and sound.

Colourist

Also known as: Post digital imaging technician, grader

The colourist is in charge of the look - and to some degree the mood - of the film. They begin by working with both the director and the director of photography to decide a palette, whether restrained or intense, dark or light, warm or cool. After the raw footage is shot and cut together it will be sent to the colourist, who will add the appropriate colour in. Again working closely with the directors, the colourist will need to balance and correct footage to ensure that a consistent look is achieved.

Music editor

The music editor is charged with intensifying the emotional impact of a film or TV episode via its soundtrack. They begin by working with the director to decide the role of the soundtrack, to find a music style that suits and to identify key moments in the film, before creating a temporary score. They will then work with a composer to turn the temp score into the real thing, and a music mixer to create a final dub. A music editor can act as a bridge between the sound and picture teams, facilitating better collaboration.

Deliverables producer

Each film distribution channel - cinema, streaming platform, DVD or any other - needs the film or TV episode to be supplied in a different file format. Slightly different cuts of the film may also be sent to different places to comply with local laws or to fulfill certain contract clauses. Working with the post-production supervisor, it’s the job of the deliverables producer to ensure that each recipient gets the version that they asked for.

Archivist

Also known as: Curator, librarian, archive consultant, records manager

The librarians of the film industry, archivists are employed by large production studios, institutes, broadcasters and non-profit organisations to ensure that productions aren’t lost in the sands of time. When a film is made, the final cut, along with proxy files, the script, stills, the production schedule and anything else of importance, is sent to the archivist to be catalogued in an archive, ready to be distributed whenever it might need to be. One of the few 9 to 5 jobs in film and TV, an archivist may also be tasked with restoring and digitising old productions.

Subtitler

Also known as: Translator, translator subtitler

The job of a subtitler is to expand the reach of a film or TV show by making it accessible to non-native speakers and the hard of hearing. Every audible noise in the production, whether dialogue, music or general sound, must be converted into two lines of text that usually appear at the bottom of the picture. The captions must be translated (where necessary), spell-checked, accurately time-stamped, and moved to another part of the picture if they obscure something important. Subtitlers generally work in a freelance capacity.

Supervising sound editor

Also known as: Special effects (SFX) editor, sound editor, sound effects editor

Supervising sound editors are charged with managing the sound team, which can be made up of people responsible for dialogue, additional dialogue recording (ADR), foley, background sounds and digital sound effects. Depending on the budget of the film they may be brought on board before shooting begins, or only after the final cut of the visuals has been approved. They work closely with the director to achieve the desired sound, are responsible for the sound budget, and generally take quite a hands-on role in creating the soundtrack.